How Wee Ng

ORCID: 0000-0002-8281-9081
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Research Areas
  • Socioeconomic Development in Asia
  • Asian Culture and Media Studies
  • Hong Kong and Taiwan Politics
  • Japanese History and Culture
  • Asian Studies and History
  • Gender, Feminism, and Media
  • Chinese history and philosophy
  • China's Socioeconomic Reforms and Governance
  • Theatre and Performance Studies
  • Hydraulic Fracturing and Reservoir Analysis
  • South Asian Cinema and Culture
  • Philippine History and Culture
  • Cinema and Media Studies
  • Hydrocarbon exploration and reservoir analysis
  • Cultural Industries and Urban Development
  • Petroleum Processing and Analysis

University of Westminster
2020-2023

National University of Singapore
2020

10.4000/chinaperspectives.6214 article EN China Perspectives 2013-06-01

Abstract Accurate characterization of current hydrocarbon volumes and distribution is essential for production optimization. The use advanced logging technology de-risked decision making related to zonal isolation justification a sidetrack in complex scenario long horizontal producing drain completed with uncemented pre-perforated liner from sandstone reservoir. In shallow water offshore well, combination pulsed neutron (PNL) multispinner holdup sensors tools (PLT) were recorded borehole...

10.2523/iptc-23205-ms article EN International Petroleum Technology Conference 2024-02-12

As the cinema of a small nation, Singapore punches above its weight. The series international film festival awards won by Singaporean filmmakers alongside multiple books published on since 2010s seem to signal revival industry. This editorial introduction unpacks term ‘Singapore New Wave’ as starting point for this Special Issue raise questions about changes that appear be happening in Singapore’s By situating within global cinema, article argues importance considering issue survival and an...

10.1386/ac_00010_2 article EN Asian Cinema 2020-04-01

Much has been researched on Kuo Pao Kun's multilingualism and multiculturalism. However, the analysis of Kuo's discourse audiences remains largely unexplored. Given his engagement with state policies culture identity formation, examining offers a better understanding both Singapore theatre state. Additionally, there is need to make sense ways which practitioners imagine as it points issues subjectivity, audience participation social engagement, especially in an economically driven society...

10.1080/14649373.2020.1759879 article EN Inter-Asia Cultural Studies 2020-04-02

Drawing from the idea of national revival, which is closely associated with term ‘new wave’, this article examines implications how winning international film awards, a focus on Taipei Golden Horse Awards (GHA) variously understood by Singapore filmmakers. If festivals and awards are crucial to constituting ‘Singapore new does GHA perceivably shape filmmaking way filmmakers understand issues identity, language, prestige cultural sensibilities? Based interviews ten directors producer-film...

10.1386/ac_00015_1 article EN Asian Cinema 2020-04-01

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10.1017/s0305741023000887 article EN The China Quarterly 2023-07-10

How does one account for the resilience of authoritarian regimes through study television production practices?Following

10.1177/15274764231215760 article EN cc-by Television & New Media 2023-12-06

The research on Singapore Chinese theater has largely focused the study of groups, productions and/or practitioners within fixed historical timelines. There exists a gap in consideration how socially engaged contemporary can potentially contribute to discourse decolonization, de-Cold War and de-imperialization. This paper examines Drama Box, one Singapore’s most prolific companies, known for its engaging Mandarin community theater. Drawing from Chen Kuan-hsing’s “Asia as method”, I consider...

10.6752/jcs.201906_(28).0002 article EN 2019-01-01

This interview was motivated by an interest in exploring how Singapore film directors perceive the three major Chinese cinema awards, mainly Golden Horse Awards (GHA), Hong Kong Film (HKFA) and Rooster (GRA), what they might signify for cinema, especially a nation that is predominantly ethnic Chinese. Compared to number of Chinese-language films produced last two decades, there have been considerably less Indian-language productions. K. Rajagopal’s A Yellow Bird (2016) alongside other Tamil...

10.1386/ac_00019_7 article EN Asian Cinema 2020-04-01

The interview was motivated by an interest in exploring how Singapore film directors perceive the three major Chinese cinema awards, mainly Golden Horse Awards (GHA), Hong Kong Film (HKFA) and Rooster (GRA), what they might signify for cinema, especially a nation that is predominantly ethnic Chinese. Amongst interviewed, Boo Junfeng went beyond to share his views on education, funding implications of racial politics privilege underlying nomination international awards.

10.1386/ac_00018_7 article EN Asian Cinema 2020-04-01
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