Magdalena Kazubowski‐Houston

ORCID: 0000-0003-2182-4861
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About
Contact & Profiles
Research Areas
  • Romani and Gypsy Studies
  • Diversity and Impact of Dance
  • Theatre and Performance Studies
  • Participatory Visual Research Methods
  • Anthropological Studies and Insights
  • Qualitative Research Methods and Ethics
  • Polish-Jewish Holocaust Memory Studies
  • Geographies of human-animal interactions
  • Memory, Trauma, and Commemoration
  • Folklore, Mythology, and Literature Studies
  • Photography and Visual Culture
  • Philippine History and Culture
  • Diverse Musicological Studies
  • Dyeing and Modifying Textile Fibers
  • Posthumanist Ethics and Activism
  • Globalization and Cultural Identity
  • Cultural Identity and Representation
  • Contemporary art, education, critique
  • Cultural Heritage Management and Preservation
  • Education, sociology, and vocational training
  • Polish Historical and Cultural Studies
  • Cultural Identity and Heritage
  • Eastern European Communism and Reforms
  • Sport and Mega-Event Impacts
  • Vietnamese History and Culture Studies

York University
1969-2021

McGill-Queen's University Press
2010

Trent University
2008-2009

This article examines the potential of a transdisciplinary ethnographic approach that bridges ethnography, performance, storytelling, and imagination to contribute an activist research practice within anthropology other disciplines. It focuses on my current project studies, by means dramatic impact migration Polish Romani women’s experiences aging. In storytelling sessions, ethnographer interlocutor stepped into character co-performed fictional stories loosely based their own lives....

10.1177/1532708617744577 article EN Culture Studies &#x2194 Critical Methodologies 2017-12-04

This introduction to the thematic section entitled “Ethnography, Performance and Imagination” explores performance as “imaginative ethnography” (Elliott Culhane 2017), a transdisciplinary, collaborative, embodied, critical engaged research practice that draws from anthropology creative arts. In particular, it focuses on performativity of (an event intentionally staged for an audience) employed both ethnographic process (fieldwork) mode representation. It asks: can help us better understand...

10.3138/anth.2017-0006 article EN Anthropologica 2018-12-17

Drawing on trail anthropology and the notion of through line action, this article tracks feeling awkwardness I experienced in an imaginative ethnography project conducted collaboration with a Polish Romani woman, Randia, attempt to re-envision as engaged, collaborative interventionist practice. follow trail, its offshoots connections arrive at what call awkward anthropology, which entails radical epistemic politics. Reflecting how working intersections ethnography, performance, storytelling...

10.3138/anth.2017-0005 article EN Anthropologica 1969-12-31

Abstract This essay discusses an ethnographic physical theatre project, Dance as I Play You, which studied racism in Poland and was developed collaboration with my students 2002. The contributes to performance-centered ethnography by examining the politicizing potential of employed a form research. Comparing pre-rehearsal focus group discussions rehearsal improvisations, argue that improvisations engaged participants more complex empathic explorations racism. Reflecting on project's two...

10.1080/10462937.2011.552118 article EN Text and Performance Quarterly 2011-03-15

In Poland, the quality of life for Roma minorities has deteriorated in recent years due to negative stereotyping, economic crises and resurgent nationalisms. Consequently, many have migrated west since Poland's 2004 entry into EU. This left several communities populated primarily by elders unable travel abroad their advanced age and/or poor health. paper discusses author's current research project that studies Polish elderly women's experiences ageing absence younger relatives. particular,...

10.3138/ctr.151.16 article EN Canadian Theatre Review 2012-06-21

Book Review| January 01 2015 Romani Routes: Cultural Politics and Balkan Music in Diaspora Diaspora. By Carol Silverman. (New York: Oxford University Press, 2012. Pp. ix + 398, figures charts, acknowledgments, notes on transliteration, about the companion website, notes, references, index.). Magdalena Kazubowski-Houston Search for other works by this author on: This Site Google Journal of American Folklore (2015) 128 (507): 116–118. https://doi.org/10.5406/jamerfolk.128.507.0116 Cite Icon...

10.5406/jamerfolk.128.507.0116 article EN Journal of American Folklore 2015-01-01

MAGDALENA KAZUBOWSKI-HOUSTON uses the subjunctive practice of developing a dramatic script as means extending ethnographic interviewing into topics that Roma women might otherwise be less willing to speak about with an outside researcher.

10.1353/ctr.2012.0054 article EN Canadian Theatre Review 2012-01-01

Cette Introduction à la section thématique « Ethnographie, performance et imagination » explore comme ethnographie imaginative (Elliott Culhane 2017), c’est-à-dire pratique de recherche transdisciplinaire, collaborative, incarnée, critique engagée qui s’inspire l’anthropologie des arts créatifs. L’accent est mis en particulier sur performativité (un événement délibérément scène pour un public), employée fois processus ethnographique (travail terrain) mode représentation ethnographique. Les...

10.3138/anth.2017-0006-fr article FR Anthropologica 2018-12-17
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