A5075061252- Music Technology and Sound Studies
- Music and Audio Processing
- Interactive and Immersive Displays
- Business Strategy and Innovation
- Neuroscience and Music Perception
- Multimedia Communication and Technology
- Diverse Musicological Studies
- Innovative Human-Technology Interaction
- Multisensory perception and integration
Institut de Recherche et Coordination Acoustique Musique
2022-2024
Sciences et Technologies de la Musique et du Son
2022-2024
Centre National de la Recherche Scientifique
2023
While the empirical study of processes and mechanisms underlying joint musical performance has gained a lot traction in past few decades, surprisingly little attention been paid to musicians’ listening strategies what remains mainly audio-centric medium. Yet, understanding how musicians listen each other is particularly crucial for more open-ended, improvised, or indeterminate practices, as it plays role shaping will unfold. In this article, we report on an exploratory that was designed...
Artificial Intelligence (AI) technologies such as deep learning are evolving very quickly bringing many changes to our everyday lives. To explore the future impact and potential of AI in field music sound a doctoral day was held between Queen Mary University London (QMUL, UK) Sciences et Technologies de la Musique du Son (STMS, France). Prompt questions about current trends were generated by academics from QMUL STMS. Students two institutions then debated these questions. This report...
Nous présentons Simone [simɔn], un système Web pour l'improvisation collective en réseau basé sur des entrées audio (microphone). Inspirés par plusieurs exemples de systèmes performance musicale réseau, notre objectif était concevoir instrument distribué 3 concepts : l’improvisation collective, l’utilisation la voix dans le processus synthèse sonore, et l’échange d’information réseau. est développé avec technologies web utilisable équipement matériel léger, portable adapté à situations. Cet...