A5066552328- Cultural Heritage Materials Analysis
- Conservation Techniques and Studies
- Building materials and conservation
- Historical Art and Architecture Studies
- Archaeology and Cultural Heritage
- Pigment Synthesis and Properties
- Historical Studies of Medieval Iberia
- Dye analysis and toxicity
- Additive Manufacturing and 3D Printing Technologies
- 3D Surveying and Cultural Heritage
- Polymer Science and PVC
- Photographic and Visual Arts
- Mineralogy and Gemology Studies
- Polysaccharides Composition and Applications
- Corneal Surgery and Treatments
- Water Quality Monitoring and Analysis
- Historical and socio-economic studies of Spain and related regions
- Industrial Vision Systems and Defect Detection
- Porphyrin and Phthalocyanine Chemistry
- Manufacturing Process and Optimization
- Luminescence and Fluorescent Materials
- Literary and Cultural Studies
- Postharvest Quality and Shelf Life Management
- Microplastics and Plastic Pollution
- Botanical Research and Applications
Universidad Complutense de Madrid
2007-2023
Madurai Kamaraj University
1992
3D printing is an additive manufacturing technique which involves the physical fabrication of object from a digital model, by binding thin successive layers to build up final shape. It was originated in 1980s and currently widely available for its use contemporary sculpture. Fused Deposition Modelling (FDM) one most accessible techniques artists carry out their work, turning ABS PLA into commonly thermoplastics used FDM machines. From art conservation standpoint, it essential know properties...
Abstract The reproduction of an old recipe to obtain the pigment known as verdigris leads a complex mixture hydrated copper(II) acetates containing neutral and two varieties basic verdigris. Since characterization such is complicated by lack reference standards, we complemented our Raman measurements with Fourier transform infrared (FTIR) X‐ray diffraction (XRD) experiments perform analysis, which has been compared available studies. spectral analysis allowed us distinguish different...
The purpose of this work is to provide spectroscopic evidence possible chemical pathways that took place in the formation fossil resins Class I . natural polymerization process mimicked laboratory using pure communic acids (terpene derivatives) as reactants, which were subjected controlled temperature treatment. We shall focus here on trans ‐, cis ‐ and iso‐/mirceo acid isomers, temperature‐induced reactivity discussed basis different arrangements conjugated double‐bonds moieties monomeric...
Abstract The term verdigris embraces a wide range of synthetic pigments whose compositions can also vary. All are salts copper, but their chemical composition will vary depending on the ingredients used to synthesize them and conditions in which that synthesis is performed. This article presents results applying some recipes contained treatises; here, specifically, were taken from Mappae Clavicula (12th century) Ms. Pierre Lebrun (17th century). mentioned present variations, so prepared turn...
Abstract In the field of conservation cultural heritage, animal glues, synthetic resins, and some polysaccharides are used to consolidate pictorial layers. Meanwhile, in order clean obverse reverse paintings, organic solvents aqueous systems sometimes employed form gels. this work, vegetable mucilages have been tested for both applications. This research has carried out several phases. Firstly, were extracted from flax chia seeds. The efficacy obtained products was on two kinds mock-ups. As...
Los Documentos Cartográficos del Cuerpo de Ingenieros Militares s. XVIII y las fuentes documentales asociadas a su ejecución tienen un gran interés histórico, artístico cultural. En este artículo se analizan relacionadas con técnicas, los materiales sus formas aplicación. Se describen pigmentos colorantes recogidos en distintos tratados relacionados arte, especialmente referidos la técnica lavado, que, además, hace referencia códigos color según el elemento representado, orden o secuencia...
Over the last few years, dry cleaning process has become an excellent alternative to solvent or water-based mixtures, which prevents diffusing dirt into painting structure during process. The use of this kind is especially effective on contemporary paintings as it solubilisation additives such surfactants contained in polymeric dispersions (e.g. acrylic and PVAc-based paints). In addition some reported side effects that could be caused by processes (such changes integrity paint any residual...