- Medieval Literature and History
- Reformation and Early Modern Christianity
- Historical Studies of British Isles
- Empathy and Medical Education
- Public Spaces through Art
- Mind wandering and attention
- History of Medicine Studies
- Sleep and Wakefulness Research
- Historical Psychiatry and Medical Practices
- Hermeneutics and Narrative Identity
- Early Modern Women Writers
- Culinary Culture and Tourism
- Folklore, Mythology, and Literature Studies
- Migration, Ethnicity, and Economy
- French Literature and Criticism
- Urban Design and Spatial Analysis
- International Law and Human Rights
- Sport and Mega-Event Impacts
- Psychosomatic Disorders and Their Treatments
- Place Attachment and Urban Studies
- Neural and Behavioral Psychology Studies
- Neurology and Historical Studies
- Historical and Religious Studies of Rome
- Philippine History and Culture
- Mental Health and Psychiatry
Durham University
2014-2020
University of Michigan
2010
Goldsmiths University of London
2005
Despite the recent proliferation of scientific, clinical, and narrative accounts auditory verbal hallucinations (AVHs), phenomenology voice hearing remains opaque undertheorized. In this article, we outline an interdisciplinary approach to understanding hallucinatory experiences which seeks demonstrate value humanities social sciences advancing knowledge in clinical research practice. We argue that AVH utilizes rigorous context-appropriate methodologies analyze a wider range first-person at...
There has been no sustained sociological analysis of a near ubiquitous feature psychological laboratory experimentation: the task. Yet task is central in arranging means by which phenomena are isolated and brought into experimental scientist’s purview. As scientific objects, states such as mind wandering daydreaming have made visible experiments that draw on (sometimes) sharp distinction between what it to be either “on task” or “off task”––which entails long history subject attend her task,...
This article examines methods for identifying folklore in hagiography. Using hagiographical materials from eleventh and twelfth century England, it critiques the current trend of equating motifs with oral transmission argues favour a "performer-centred" understanding composition.
St Dunstan stood in his ivied tower,Alembic, crucible, all were there;When came Nick to play him a trick,In guise of damsel passing fair.Every one knows How the story goes:He took up tongs and caught hold nose.
Abstract This paper looks at Jacques Tati's 1967 film 'Playtime' and its constructed city set on the periphery of Paris as an example negotiation urban space prescribed 'instructions for use'. It explores this façades choreographed subversions in relation to Rem Koolhaas's 'Junkspace'. Linked through their interaction with comment changing Parisian landscape 1960s then goes look development Centre Pompidou, American artist, Gordon Matta-Clark's intervention site construction. was originally...
The human act of wandering across landscapes and cityscapes has carved the research interests scholars in cultural, urban, historical geography, as well humanities. Here we call for—and take first steps toward—a geography that is pursued head rather than with legs. We do so through analyzing how our audiovisual installation on mind opened up epistemological ontological questions facing geographies mind. This both modeled conceptualized at different moments aimed to induce mental...
H. M. Powell, E. J. Hartung, Palmén and L. Simonsen, Chem. Soc., 1950, 2909 DOI: 10.1039/JR9500002909
The Vita Deo dilectae uirginis Mildrethae (BHL 5960) was written by Goscelin of Saint-Bertin during his residency at St Augustine’s Abbey, Canterbury, in the final decade eleventh century.1 most celebrated hagiographer generation, whose prolificacy writing ‘lives countless saints’ would later render him, William Malmesbury’s estimation, as ‘second to none since Bede’.2 Very little is known about Goscelin’s life and what has been pieced together from tantalizing snippets found hagiographical...
Abstract Artist Hilary Powell describes how her work in film, food and the pop‐up book offers playful critiques of regeneration place making. Copyright © 2012 John Wiley & Sons, Ltd.