A5003326577- Historical Influence and Diplomacy
- Arts, Culture, and Music Studies
- Musicology and Musical Analysis
- Diverse Music Education Insights
- Neuroscience and Music Perception
- Diverse Musicological Studies
- Art History and Market Analysis
- Legal Systems and Judicial Processes
- Music Technology and Sound Studies
- Law, Economics, and Judicial Systems
- Cultural Industries and Urban Development
- Legal principles and applications
- Reformation and Early Modern Christianity
- Music History and Culture
- Legal and Constitutional Studies
- Taxation and Legal Issues
- Central European national history
- Historical and Linguistic Studies
- Latin American history and culture
- German Literature and Culture Studies
- Historical, Literary, and Cultural Studies
- Freedom of Expression and Defamation
- Historical and Literary Analyses
- Early Modern Women Writers
- Bach Studies and Logistics Development
Mahle (Austria)
2020-2024
Max Planck Institute for Empirical Aesthetics
2014-2021
Max Planck Society
2014-2020
Humboldt State University
2007-2012
University of California, Berkeley
1930
Indiana University
1927
This study aimed to uncover potential effects on and meanings experienced by audience members who participated in performances (‘participants’) of intentional efforts integrate participatory elements art music practice. We document a recent project which two contemporary composers were commissioned write new pieces including parts for participants. analysed observational questionnaire data from three concerts that interrogated the experiences participants at different countries ( n = 273),...
Music listening can lead to strong aesthetic experiences.However, gain deeper insights into such experiences, more empirical research outside of laboratory settings is required.The current exploratory study measured experience (music-induced emotions and absorption) in combination with psychophysiology (facial electromyography arousal measures) from 98 participants during three live concerts a program classical, romantic, contemporary chamber music.One musical movement the work was presented...
The essay focuses on the role of bells in Jesuit reducciones . Within contested sound world mission areas, played an important as their sounds formed a sense space, regulated social life, and established audibility time order. Amongst all other European which Catholic missionaries had introduced by seventeenth century—church songs, prayers languages, instrumental music—bells functioned especially well signals omnipotent omnipresent Christian God instruments establishing acoustic hegemony....
Music listening can lead to strong aesthetic experiences. However, gain deeper insights into such experiences, more empirical research outside of laboratory settings is required. The current exploratory study measured experience (music-induced emotions and absorption) in combination with psychophysiology (facial electromyography arousal measures) from 98 participants during three live concerts a program classical, romantic, contemporary chamber music. One musical movement the work was...
Abstract The impresario was a key figure of nineteenth-century Italian operatic life. Along with other economic, financial and organizational aspects ottocento opera, the article examines role these shrewd businessmen, drawing particular attention to Habsburgs in administration theaters Lombardy. general job description opera first half nineteenth century, explains how gambling provided way financing lavish seasons houses. After 1861, changed considerably subsequently taken over by...
Abstract In the last third of nineteenth century, Teatro La Fenice in Venice found itself an artistic and organizational crisis. Administrational problems, failed impresarios, refusal city to pay subsidies all contributed this. New research highlights connection dire situation opera house image crisis Venice, shows that eventual destiny as a tourist spot improvement state Fenice. Notes 1The board consisted three elected members società proprietaria, society box owners, who were...