Johan Sundberg

ORCID: 0000-0002-7234-7551
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About
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Research Areas
  • Phonetics and Phonology Research
  • Voice and Speech Disorders
  • Music Technology and Sound Studies
  • Music and Audio Processing
  • Speech Recognition and Synthesis
  • Neuroscience and Music Perception
  • Diverse Musicological Studies
  • Speech and Audio Processing
  • Diverse Music Education Insights
  • Dysphagia Assessment and Management
  • Musicology and Musical Analysis
  • Hearing Loss and Rehabilitation
  • Musicians’ Health and Performance
  • Nasal Surgery and Airway Studies
  • Cleft Lip and Palate Research
  • Language and cultural evolution
  • Acoustic Wave Phenomena Research
  • Stuttering Research and Treatment
  • Respiratory and Cough-Related Research
  • Speech and dialogue systems
  • Social and Educational Sciences
  • Infant Health and Development
  • Phonocardiography and Auscultation Techniques
  • Music Therapy and Health
  • Complex Systems and Decision Making

KTH Royal Institute of Technology
2013-2024

RELX Group (Netherlands)
2023

Stockholm University College of Music Education
2011-2022

Stockholm University
1980-2022

Uppsala University
2018

University of London
2014-2018

Universidad de Londres
2014-2018

Swedish e-Science Research Centre
1999-2013

Google (United States)
1980-2013

RELX Group (United States)
2010

Work on voice sciences over recent decades has led to a proliferation of acoustic parameters that are used quite selectively and not always extracted in similar fashion. With many independent teams working different research areas, shared standards become an essential safeguard ensure compliance with state-of-the-art methods allowing appropriate comparison results across studies potential integration combination extraction recognition systems. In this paper we propose basic standard...

10.1109/taffc.2015.2457417 article EN cc-by IEEE Transactions on Affective Computing 2015-07-16

10.1038/scientificamerican0377-82 article EN Scientific American 1977-03-01

An articulatory model is presented. It defines a procedure for deriving set of formant frequencies from information on the state lip muscles, position jaw, shape and tongue body, larynx height. The acoustic auditory consequences varying these parameters individually are reported. introduction jaw as separate parameter—a feature not used in previous models—makes it possible to explain why “openness” occurs universal phonetic vowel production. According explanation proposed, degree opening...

10.1121/1.1912750 article EN The Journal of the Acoustical Society of America 1971-10-01

The “singing formant” is a high spectrum envelope peak near 2.8 kHz characteristic of vowel sounds produced in male Western opera and concert singing. An acoustical model the vocal tract capable generating such provided that three conditions are met: (1) cross-sectional area pharynx must be at least six times wider than larynx tube opening. If so, acoustically mismatched with rest tract, an extra formant added to transfer function. (2) sinus Morgagni wide relation tube. This may tune...

10.1121/1.1914609 article EN The Journal of the Acoustical Society of America 1974-04-01

AbstractA set of 17 voices representing various voice disorders were presented to a jury experts who rated them on 5-point scale for each 28 terms frequently used describing voices. A statistical treatment these ratings yielded 5 bipolar factors accounting 85% the total variance. Significant correlations found between four and certain acoustic data extracted from long-time-average spectra fundamental frequency distribution analysis same sample.

10.3109/00016488009131746 article EN Acta Oto-Laryngologica 1980-01-01

No AccessJournal of Speech, Language, and Hearing ResearchResearch Article1 Sep 1989Spectral Correlates Glottal Voice Source Waveform Characteristics Jan Gauffin, Johan Sundberg Gauffin Royal Institute Technology, Stockholm Google Scholar https://doi.org/10.1044/jshr.3203.556 SectionsAboutPDF ToolsAdd to favoritesDownload CitationTrack Citations ShareFacebookTwitterLinked In The relationships between the waveform spectrum pulsating transglottal airflow during vowel phonation are analyzed in...

10.1044/jshr.3203.556 article EN Journal of Speech Language and Hearing Research 1989-09-01

In acoustic communication timing seems to be an exceedingly important aspect. The just noticeable difference (jnd) for small perturbations of isochronous sequence sounds is particularly in music, which such sequences frequently occur. This article reviews the literature area and presents experiment designed resolve some conflicting results regarding tempo dependence quick tempi relevance music experience. jnd a perturbation tone appearing was examined by method adjustment. Thirty listeners...

10.1121/1.413218 article EN The Journal of the Acoustical Society of America 1995-11-01

Vocal intensity is studied as a function of fundamental frequency and lung pressure. A combination analytical empirical models used to predict sound pressure levels from glottal waveforms five professional tenors twenty normal control subjects. The were obtained by inverse filtering the mouth flow. Empirical describe features flow waveform (peak flow, peak derivative, open quotient, speed quotient) in terms phonation threshold pressure, key variable that incorporates F0 dependence many model...

10.1121/1.402929 article EN The Journal of the Acoustical Society of America 1992-05-01

Based on measurements of piano performances, he proposed a general model tempo as function phrase structure.Clarke (1988

10.2478/v10053-008-0052-x article EN cc-by-nc-nd Advances in Cognitive Psychology 2006-01-01

10.1016/s0095-4470(19)31040-x article EN publisher-specific-oa Journal of Phonetics 1979-04-01

This investigation explores the common assumption that music and motion are closely related by comparing stopping of running termination a piece music. Video recordings were made professional dancers’ from under different deceleration conditions, instant values body velocity, step frequency, length estimated. In decelerations highly rated for aesthetic quality panel choreographers, mean velocity could be approximated square-root function time, which is equivalent to cubic-root position....

10.1121/1.426687 article EN The Journal of the Acoustical Society of America 1999-03-01

10.1016/s0892-1997(01)00019-4 article EN Journal of Voice 2001-06-01

The general purpose of the present paper is to demonstrate some effects on musical acceptability a performance melody, which may be achieved by means synthesis‐by‐rule strategy. Both structure melody and playing technique performer seem important music perception quality. synthesis equipment used here consists computer controlled synthesizer. input written in ordinary notation, optionally complemented with phrase markers. This material text‐to‐speech conversion program [Carlson Granstrom,...

10.2307/3679917 article EN Computer Music Journal 1983-01-01

Emotions have strong effects on the voice production mechanisms and consequently characteristics. The magnitude of these effects, measured using source parameters, interdependencies among parameters not been examined. To better understand relationships, characteristics were analyzed in 10 actors' productions a sustained/a/vowel five emotions. Twelve acoustic studied grouped according to their physiological backgrounds, three related subglottal pressure, transglottal airflow waveform derived...

10.1109/t-affc.2011.14 article EN IEEE Transactions on Affective Computing 2011-06-17

Resonance tube phonation in water (RTPW) or air is a voice therapy method successfully used for treatment of several pathologies. Its effect on the has not been thoroughly studied. This investigation analyzes effects RTPW collision and threshold pressures (CTP PTP), lowest subglottal pressure needed vocal fold phonation, respectively.Twelve mezzo-sopranos phonated into glass tube, end which was placed under surface jar. Subglottal pressure, electroglottography, audio signals were recorded...

10.1044/1092-4388(2013/12-0040) article EN Journal of Speech Language and Hearing Research 2013-07-10

Research Articles| November 26 2009 Formant Structure and Articulation of Spoken Sung Vowels Subject Area: Audiology Speech , Further Areas J. Sundberg Department Communication, Royal Institute Technology (KTH), Stockholm (Head: Prof. G. Fant) Search for other works by this author on: This Site PubMed Google Scholar Folia Phoniatr Logop (1970) 22 (1): 28–48. https://doi.org/10.1159/000263365 Article history Published Online: Content Tools Views Icon contents Figures & tables Video Audio...

10.1159/000263365 article EN Folia Phoniatrica et Logopaedica 1970-01-01

Long-term-average spectrum (LTAS) is an efficient method for voice analysis, revealing both source and formant characteristics. However, the LTAS contour non-uniformly affected by vocal loudness. This variation was analyzed in 15 male 16 female untrained voices reading a text 7 times at different degrees of loudness, mean change overall equivalent sound level (Leq) amounting to 27.9 dB 28.4 subjects. For all frequency values up 4 kHz, strongly linearly correlated with Leq each subject. The...

10.1080/14015430410004689 article EN Logopedics Phoniatrics Vocology 2004-12-01
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