Susan Hayes

ORCID: 0000-0003-3325-0770
Publications
Citations
Views
---
Saved
---
About
Contact & Profiles
Research Areas
  • Forensic Anthropology and Bioarchaeology Studies
  • Pleistocene-Era Hominins and Archaeology
  • Face Recognition and Perception
  • Morphological variations and asymmetry
  • Aesthetic Perception and Analysis
  • Digital Imaging in Medicine
  • Archaeology and ancient environmental studies
  • Face recognition and analysis
  • Orthodontics and Dentofacial Orthopedics
  • Geographies of human-animal interactions
  • Pacific and Southeast Asian Studies
  • Body Image and Dysmorphia Studies
  • Australian History and Society
  • Autophagy in Disease and Therapy
  • Face and Expression Recognition
  • Color Science and Applications
  • Pancreatic function and diabetes
  • Color perception and design
  • Musicology and Musical Analysis
  • Paleopathology and ancient diseases
  • Literacy, Media, and Education
  • Facial Rejuvenation and Surgery Techniques
  • Historical Art and Culture Studies
  • Visual perception and processing mechanisms
  • Visual Culture and Art Theory

University of Wollongong
2012-2023

The University of Melbourne
2005-2021

Bandung Institute of Technology
2015-2017

Universidad Nacional de La Plata
2011

The University of Western Australia
2009-2011

Murdoch University
1993-1994

Museum displays of faces derived from skeletal remains – typically referred to as facial reconstructions are extraordinarily popular, and frequently function iconic representations a much broader engagement with collections particular people, time place. Their actual ability meaningfully represent either an individual or museum collection is questionable, created for display published within academic journals show enduring preference applying invalidated methods. Since 2002 there has been...

10.1080/09647775.2015.1054417 article EN Museum Management and Curatorship 2015-09-15

Traditional portraiture aims to produce a life-like representation of an individual’s unique facial features, but there are number perceptual factors that may affect how artist sees and depicts sitter’s shapes. The anatomical accuracy portrait is predominantly ascertained subjectively, not through quantitative methods. To see if it was possible apply the methods analysis more typically used study variation in biological forms, authors produced 30 drawings based on pose photographs, analysed...

10.1177/1470357211398442 article EN Visual Communication 2011-05-01

10.1016/j.jas.2013.06.028 article EN Journal of Archaeological Science 2013-07-13

10.1016/j.forsciint.2013.12.039 article EN Forensic Science International 2014-01-29

10.1016/j.forsciint.2016.09.009 article EN Forensic Science International 2016-09-19

An artist-led exploration of portrait accuracy and likeness involved 12 Artists producing portraits referencing a life-size 3D print the same Sitter. The works were assessed during public exhibition, resulting assessments compared to as measured using geometric morphometrics (statistical shape analysis). Our results are that, independently assessors' prior familiarity with Sitter’s face, judgements tended be higher for less morphologically accurate portraits. two highest rated that most...

10.1177/0301006618770347 article EN Perception 2018-04-27

In 2008 we completed facial approximations of four individuals from the early Lapita Culture, a seafaring people who were first to settle islands Western Pacific circa 3000 years ago. Typically an approximation is performed as 3D sculpture or using computer graphics. We chose sketch what have been able determine remains because artistic conventions drawing work with visual perception in ways that are more complementary knowledge, theories and methods make up human remains.

10.1162/leon.2009.42.3.284 article EN Leonardo 2009-04-30

Abstract: Research into witness identification images typically occurs within the laboratory and involves subjective likeness recognizability judgments. This study analyzed whether actual systematically alter facial shapes of suspects described. The shape analysis tool, geometric morphometrics, was applied to 46 homologous landmarks displayed on 50 their corresponding arrest photographs, using principal component multivariate regressions. results indicate that compared with depict lowered...

10.1111/j.1556-4029.2012.02168.x article EN Journal of Forensic Sciences 2012-04-26

Although ancient DNA (aDNA) cannot predict the facial appearance of skeletal human remains, knowing which extant populations are most closely related to deceased has proven be invaluable in rectifying two early approximations (popularly known as reconstruction) undertaken 15 years ago. These concerned crania excavated from Lapita burial site at Teouma on island Efate, and associated with first arrival Vanuatu archipelago approximately 3000 This experimental revision incorporate aDNA into...

10.1016/j.jas.2023.105916 article EN cc-by Journal of Archaeological Science 2023-12-15

This artist-led research project involved 10 visual artists producing ambient portraits and a portrait average of locally familiar Sitter, less Sitter. All were then assessed for likeness by more than 150 members the general public attending an exhibition during Australia’s 2018 National Science Week. The results this study are that averages can be highly shape accurate tend to seen as good all viewers. However, is not necessarily best likeness. Extending validating our previous findings...

10.1177/0301006620905420 article EN Perception 2020-04-07

This case study is an initial exploration as to whether the depiction of texture in a set portraits, all portraying same Sitter, related familiar likeness assessments reported companion paper containing principal component analysis (PCA) portraits' shape. Somewhat unexpectedly, PCA failed discriminate high from low despite experimentation with different pre-processing methods reduce level uninformative, image-level variability. There were some findings arising these analyses, and while only...

10.1177/0301006620975705 article EN Perception 2020-12-01

10.1016/j.jchb.2010.01.021 article EN HOMO 2010-06-01

(1993). Photographing hunger: Paving the way with good intentions. Continuum: Vol. 6, No. 2, pp. 220-234.

10.1080/10304319309359407 article EN Continuum 1993-01-01

EVOLVING A THEATRE OF TRUTH By Susan Hayes, B.A. thesis submitted in partial fulfillment of the requirements for degree Master Fine Arts at Virginia Commonwealth University. University, 2006 Major Director: Dr. Noreen C. Barnes Director Graduate Studies, Dept. Theatre This explores challenges evolving a Truth context immediate zeitgeist. The questions I address are role feminist theatre world dominated by global media and corporate omnipotence; conflation Realpolitick; limitations postmodern...

10.25772/04gj-h319 article EN 2006-01-01
Coming Soon ...